I was halfway through a bag of Scampi Fries, fingers powder-coated in salt, paprika and MSG, when my mate asked a question that stopped me in my tracks.
“What would The Bear look like if it were set in the UK?”
It doesn’t sound like a particularly life-changing question; it isn’t one. It’s certainly not as difficult to answer as: “Would you rather have hiccups for the rest of your life or constantly feel like you have to sneeze?” But it made me think. As someone passionate about restaurants, food and good television, I’m not ashamed to admit I love The Bear. I love it so much, I’m in the sad camp of people who googled where all of the white T-shirts Jeremy Allen White wears in the show are sourced from. Unfortunately, I’m also in the camp of people who can’t afford to drop £70 on a white T-shirt.
Although season three was a bit of a dud, I’m excited to see where the new season takes us when it returns to Disney+ on 26 June. One of the strengths of The Bear is its tight control of character. From Tina and Sydney to Richie and Carmy, every brigade member is a fleshed-out, 3D person with their own interests and motivations. It’s more than just a show about shouting “hands!”, julienning carrots and PTSD. Forgive me for using a well-worn cliché here, but one of the most important characters in The Bear is, in fact, the city of Chicago. The show reeks of the Windy City. The Chicago Bears. The Blackhawks. The Bean. Hot dogs in poppy seed buns with dill pickle spears. It’s a grungy love letter to the city and a breath of fresh air compared to the glut of American shows set in New York and Los Angeles.
If I were setting The Bear in the UK, I’d use Manchester in its place. Like Chicago, it’s a city with a strong industrial history. A firm sense of identity. An attitude. It’s the ‘Second City’ with a chip on its shoulder, and the people who live there are immensely (and rightfully) proud of where they’re from. Just like how the music of Chicago adds texture to The Bear – Chicagoans Eddie Vedder, Wilco, Mavis Staples and Smashing Pumpkins all appear on the soundtrack – my British pub-fantasy version would be soaked through with Manchester’s finest, like Joy Division and The Stone Roses.
A few of the characters would need different names. Carmen would become Callum, for instance – the "Cal" to his "Carmy"; Sydney would become Safiya, a driven chef from Rusholme; Richie can stay as he is, based purely on the rationale that I've met heaps of British blokes called Richard; and then someone like Neil Fak would become Neil “Fackin’ 'Ell” Faulkner. He'd still be the size of the fridges he fixes.